Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas Woman at her toilette oil painting


Woman at her toilette
mk206 about 1894 Charcoal and pastel on paper 95.5x110cm
Painting ID::  50020 		Edgar Degas
Woman at her toilette
mk206 about 1894 Charcoal and pastel on paper 95.5x110cm
   
   
     
Edgar Degas Head of a Woman oil painting


Head of a Woman
mk206 about 1874 Oil on canvas 32.1x26.7cm
Painting ID::  50021 		Edgar Degas
Head of a Woman
mk206 about 1874 Oil on canvas 32.1x26.7cm
   
   
     
Edgar Degas Portrait of Edmond Duranty oil painting


Portrait of Edmond Duranty
mk206 1879 Tempera ,watercolour and pastel on linen 100x100cm
Painting ID::  50022 		Edgar Degas
Portrait of Edmond Duranty
mk206 1879 Tempera ,watercolour and pastel on linen 100x100cm
   
   
     
Edgar Degas Dancers oil painting


Dancers
mk206 about 1879 Gouache,oil pastel and essence on silk 30.5x59.7cm
Painting ID::  50023 		Edgar Degas
Dancers
mk206 about 1879 Gouache,oil pastel and essence on silk 30.5x59.7cm
   
   
     
Edgar Degas Promenade beside the sea oil painting


Promenade beside the sea
mk206 about 1860 Londeon,National Gallery
Painting ID::  50024 		Edgar Degas
Promenade beside the sea
mk206 about 1860 Londeon,National Gallery
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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